Is Terminator: Dark Fate Wrapping Up Sarah Connor's Story For Good?

By  at December 01, 2019  , , ,  No comments
Is Terminator: Dark Fate Wrapping Up Sarah Connor's Story For Good?

While she hasnt been present for every Terminator movie, theres no arguing that without Sarah Connor, the sci-fi saga wouldnt exist. So it was good to hear that she would be back for Terminator 6, currently known as Terminator: Dark Fate, this time with Linda Hamilton reprising the role nearly 30 years after Terminator 2: Judgement Day. No one blinks an eye anymore at seeing Arnold Schwarzenegger returning to play a T-800/850 model anymore, but the fact that Dark Fate director Tim Miller and producer James Cameron managed to convince Hamilton to return to this world is impressive. It also makes me wonder if Dark Fate will turn a new chapter in the Terminator franchise by wrapping up Sarahs story. For real this time!

I dont need to remind any of you that Sarah Connor was one of the main human protagonists of the first two Terminator movies. The Terminator saw her being shaken out of her idyllic life when she was targeted by a T-800, and Terminator 2 showed her 11 years later as a hardened warrior obsessed with Judgement Day and determined to keep herself and her John safe. And then came Terminator 3: Rise of the Machines, where it was revealed that Sarah had died of leukemia in 1997, though shed lived long enough to see Judgement Day come and go without any mass annihilation. Not that it mattered, since in this timeline, Judgement Day was merely postponed and came to pass in 2004 instead.

It should be noted that Linda Hamilton was approached to reprise Sarah Connor in Terminator 3, but she turned down the opportunity because she felt her role in the movie was kind of disposable. So killing Sarah Connor off-screen was definitely anti-climactic and the character deserved something better, but it just couldnt be helped. Hamilton did make a vocal cameo as Sarah in Terminator Salvation, but once Terminator Genisys rolled around in 2015, Emilia Clarke inherited the role. That movie took a 2009 Star Trek-like approach with rebooting the Terminator continuity, including having Sarah already being a formidable warrior by the time Kyle Reese travels back in time to protect her. Alas, because Genisys was met with mostly negative reception, we wont be seeing any more of this Terminator timeline.

(Id be remiss if I didnt also note that future Game of Thrones star Lena Heady played Sarah Connor in the short-lived Fox TV series Terminator: The Sarah Connor Chronicles, but for the purposes of this feature, were only focusing on the Terminator movies.)

Which brings us to Terminator: Dark Fate, which is serving as a sequel to the first two Terminator movies and ignoring all the subsequent entries. In other words, Sarahs dying of cancer is no longer canon in this continuity, and Linda Hamiltons version of the character is still kicking. Clearly if Hamilton was willing to return for Dark Fate, she approved of the material James Cameron and Tim Miller pitched her much more than what she was given for Terminator 3: Rise of the Machines. No specific plot details have been revealed for Dark Fate yet, but considering that Cameron said back in 2017 that this latest Terminator movie is intended to be the start of a new trilogy that would pass the baton, I cant help feeling like the reason Hamilton agreed to return to the franchise was because she was promised that Sarah could make a grand exit that actually does the character justice. Her leaving paves the way for a new generation.

Perhaps Linda Hamilton returning for Terminator: Dark Fate is a situation similar to how Harrison Ford was willing to reprise Han Solo in Star Wars: The Force Awakens. In the decades after Return of the Jedi came out, Ford was open about how he wished Han had died in the original Star Wars trilogy capper, and then The Force Awakens comes along granting his wish. What if Hamilton received similar assurances about Dark Fate? That Sarah will also die, but as opposed to it happening offscreen again, shed be given the heros death that she deserves. Thatd certainly be big incentive to return to a character you havent played in nearly 30 years.

Judging by that Terminator: Dark Fate photo thats been released, clearly Sarah Connor is still quite the badass nearly decades after the events of Terminator 2. One can presume then that shell see at least a little action in Dark Fate, so its easy enough to imagine a scenario where she dies in battle. And, as mentioned earlier, her death makes room for the new Terminator characters, like Mackenzie Davis Grace and Natalia Reyes Dani Ramos, to take over as the new main characters of this franchise.

Its also worth mentioning that it doesnt look like John Connor will have a major role in Terminator: Dark Fate. His adolescent self will appear in some capacity, with Edward Furlongs likeness being placed via CGI over body double Jude Collie, but theres no word about an adult John appearing. Assuming Dark Fate takes place in 2019, then John should be leading the Resistance against Skynet by this point, but then again, we dont know how events in this particular Terminator timeline have unfolded. Maybe John died as a child, and when Skynet eventually rose to power, whenever that was, Sarah was forced to take over as The Resistance figurehead. If thats the case, then that could further validate the idea that Sarah could meet her demise fighting the new threat thats surfaced in Dark Fate, leaving her role as Resistance leader to be taken over by another.

Its no secret that the Terminator franchise has seen better days, so bringing back Linda Hamilton could be a good way for Terminator: Dark Fate to partially recapture that magic from the first two Terminator movies. However, we have no idea yet how big her role will be, and if this indeed is a transitory moment for the franchise, then perhaps Dark Fate will bid adieu to the old guard. If this is the last time we see Sarah in a Terminator movie, fingers crossed that her return and final moments are anywhere near as memorable and iconic as shes been for the sci-fi and action genres.

Terminator: Dark Fate opens in theaters on November 1. Keep checking back with CinemaBlend for more updates on the production, and dont forget to look through our 2019 release schedule to learn what other movies are coming out this year.





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5 Reasons Godzilla (2014) Is Better Than You Probably Remember

By  at December 01, 2019  , , ,  No comments
5 Reasons Godzilla (2014) Is Better Than You Probably Remember

With Godzilla: King of the Monsters stomping, hopping, smashing and crashing its way into theaters around the world this week, I have a confession to make: I like Godzilla (2014). I like it a lot, in fact, and I don't think it deserves the flack it gets.

Gareth Edwards' assured, commanding sophomore film is a fire-breather of a Godzilla movie, one that surprisingly isn't afraid to bide its time and make the monster movie beats worth the while. It's a carefully-crafted B-movie with A-grade special effects, an expensive genre beauty that fills the big screen at choice moments. It produces a loud, roaring triumph of Spielbergian craftsmanship, complimented beautifully by its boisterous score, with a diligent desire to make the explosive finale a towering inferno of epic-ness. In short, it's a lot of fun, and it's a lot better than people give it credit.

The film does have its flaws many of them, in fact. For instance, Aaron Taylor-Johnson's character is a soggy bread of a protagonist, lacking any real depth or nuance to make him worthy of being our central human character. The story structure can be a bit haphazard, favoring set pieces over a firm narrative streamline, and the lack of monster fights in the first two-thirds can be odd to say the least for a major American studio Godzilla movie. But its strengths far outshine its weaknesses, in my view, and I believe there's a lot worth celebrating in this big-budget remake. Here's my reasoning.

Godzilla Has Excellent Use Of Build-UpPerhaps the biggest and, in my view, most rewarding surprise found in Godzilla (2014) is that it is an unexpectedly patient film. With Hollywood blockbusters, particularly in an era of massive superhero movies, we're used to seeing a lot of whizz-bang early and often. Blockbusters will jam-pack as many action beats as possible to keep easily-distracted eyeballs focused squarely on the big screen in front of them. You need to bring the masses, and the masses want something that keeps their attention spans stimulated, even if or especially if their brain is left unrewarded in the process.

There is nothing wrong with a good popcorn flick. I love them as much as the next guy. But Godzilla (2014) accomplishes something that is a little more dexterous in terms of its plotting and execution. It intentionally teases the audience, keeping the title character at a distance until it's time for the big, famous kaiju monster to make a hell of an impression. The result is a Godzilla movie with fewer action beats than you might anticipate, but one that is, nevertheless, deeply satisfying because the pay-off is so explosively enjoyable that you feel rewarded for being strung along for the last hour or so.

Godzilla Has Amazing Special EffectsWith blockbusters today, we often take the wizardry of special effects for granted. Nearly every blockbuster released in theaters this weekend is filled with spectacles galore, often the work of computer animators trying to meet tight deadlines and massive expectations. Nevertheless, the VFX effects in Godzilla (2014) are truly incredible, not merely for a big-scale Godzilla movie (particularly with other Godzilla movies relying on people in rubber suits to do the job), but for a major Hollywood blockbuster such as this one.

Gareth Edwards made a beautiful looking movie, one that is complimented throughout with strong cinematography and commendable direction. But it is the lavish special effects from the movie's heavy $160 million budget that really make the visual pops in this action flick. Particularly with the very dated special effects found in Roland Emmerich's ill-fated 1998 Godzilla remake, Godzilla (2014) is the first time the big mean radioactive monster was given the proper Hollywood treatment. And he is as beautiful as he's ugly if that makes sense.

Impressively massive and commendably fleshed-out, Godzilla looks more believable and photorealistic than he's ever looked before, and the reptilian badass is truly a sight to behold. It's a damn shame that Godzilla (2014) didn't even get a nomination for Best Visual Effects. Quite an egregious snub.

Godzilla Has Nice Set PiecesWhile people are often quick to lament about the lack of monster-based action sequences in Godzilla (2014), the blockbuster does contain a wide array of impressive set pieces. Whether it's Hawaii, Las Vegas, San Francisco or the Philippines, Godzilla gets around in this new movie, and we follow him through a nice assortment of different scenic backdrops. Though Godzilla is a big, imposing, menacing dude, the skyscraper-sized creature sure knows how to get around the world in a short amount of time.

As a result, Godzilla (2014) is as expansive as it is expensive, providing audiences with a glorious blockbuster with the budget and means to jump from location-to-location. It provides moviegoers with a chance to see all kinds of locations, even if many if not all of them fall victim to widespread destruction in the grasp of Godzilla's fire-breathing reign. Gareth Edwards' first film, the micro-budgeted Monsters, showcased a rising filmmaker with a knack for making the most out of sparse and/or visually-dynamic locations. That filmmaking tradition continued with his next film, Godzilla (2014).

Godzilla Has A Great Sense Of PerspectiveOne thing that really makes Godzilla (2014) exceptional is that this major movie tends to prefer the small opposed to the big. While the film is filled with major overtures in the right key moments, it's a film that like to keep the focus on the ground floor. Picking up from the tradition of 2008's Cloverfield, it imagines the citywide destruction and global mayhem of the kaiju attacks from a view that is often closer to the floor than the sky. The result is a huge, gigantic motion picture that knows how to dish out action in a human level even if it's human characters can often, unfortunately, be a bit lacking.

It's hard to say that Aaron Taylor-Johnson brings a lot to the lead role. And it's even harder to remember much of anything about his character or personality. But through his eyes, we are often witnessing the chaos that springs worldwide in these monsters' wake. The result is a movie that knows how to bring perspective in the fold, and one that constantly keeps the action investing by never being afraid to reveal its hand too early into the game.

The Cast Is NotableNow, listen, I won't say the humans in Godzilla are richly fleshed-out, three-dimensional characters with rich backgrounds and layered personalities. You'd be hard-pressed to find many Godzilla-focused movies with the same high pedigree of actors. Bryan Cranston and Ken Watanabe are excellent in in their supporting roles, while Sally Hawkins, Juliette Binoche, David Stratharian and Elizabeth Olsen are always dependable talents. Unfortunately, most of the cast is given little to work with, as the humans are often a means to the end, and that end is monster-on-monster action.

Nevertheless, while most of these actors aren't given awards-caliber performances, there are only a few truly underwhelming performances. Everyone is doing the best they can with their often paper-thin characters, and Aaron Taylor-Johnson often gets the worst of it. He's a talented actor who has proven his talents in a variety of different films, including Kick-Ass, Nowhere Boy and Nocturnal Animals, to name a few noteworthy examples of late.

Sadly, however, like I said in the introduction, his character in this film is a wet blanket who isn't as much fun as his title co-star. Nevertheless, most of these actors do commendable work to sell the gravitas in this otherwise campy genre exercise, and their hard work and talents can be under-appreciated.

Will I call Godzilla (2014) a perfect movie? No. Because it's not. Like I said, it has its flaws, and it has its shortcomings. While Godzilla: King of the Monsters seems like it will be providing the non-stop, wall-to-wall monster action that hungry fans were expecting from this much-anticipated remake, I don't think it's fair to give this Godzilla movie the cold shoulder in the process.

On its own merits, Gareth Edwards made a well-crafted, exhilarating monster movie with Godzilla (2014), one that should be admired much more than it is. And I hope I provided some compelling reasons for why that should be the case.





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